'The project's conversations and findings present data where all kinds of voice are seen to be integral to making change. The way WTJ and Clean Break work has allowed me to identify different registers of these voices and join spatial realms that travel back and forth between the individual and communal, each entwined in the real and imagined.' laura dean, artist
CLICK on below images to enlarge.
un:mute
un:mute
drawing > retranslated clean break archive material of founders jenny hicks and jackie holborough > digital collage
not quite me
This image responds to that shared performance of identity in the WTJ interviews and the presence of care, honesty and wit from both interviewers and interviewees.
5 Channels and Nothing to See Here #1
photography > retranslated footage from clean break production, Sweatbox > digital collage
5 Channels and Nothing to See Here #2
photography > retranslated footage from clean break production, Sweatbox > digital collage
5 Channels and Nothing to See Here #3
photography > retranslated footage from clean break production, Sweatbox > digital collage
5 Channels and Nothing to See Here #4
photography > retranslated footage from clean break production, Sweatbox > digital collage
5 Channels and Nothing to See Here #5
photography > retranslated footage from clean break production, Sweatbox > digital collage
coming out of the margins, from writing in the margins series
photography > screenprint > retranslated material from working process of Clean Break production, Inside Bitch
wider margin, from writing in the margins series
photography > screenprint > retranslated Clean Break archive material
mightier than the sword, from writing in the margins series
photography > screenprint > retranslated Clean Break archive material
align centre justify, from writing in the margins series
photography > screenprint > retranslated Clean Break archive material
just like me
drawing > photography > collage > text by author Lin Coghlan for Apache Tears, retranslated from Clean Break production archive
just like me #2
drawing > photography > collage > text by author Lin Coghlan for Apache Tears, retranslated from Clean Break production archive
explain prison to a child, from writing in the margins series
photography > drawing > text detail from Clean Break production process for Inside Bitch, Royal Court Theatre, London
shifting glimpsers #2
photography > retranslated clean break archive material
shifting glimpsers #2
photography > retranslated clean break archive material
what's it like out #2
retranslated images from Clean Break exhibition 'I am a theatre': 40 years of Clean Break Theatre Company. Swiss Cottage, London, 2021
heart #1 - not torn but turned not static but still
retranslated footage and subtitles from Clean Break: Changing Lives and Changing Minds
heart #2 - not torn but turned not static but still
retranslated footage and subtitles from Clean Break: Changing Lives and Changing Minds
heart #3 - not torn but turned not static but still
retranslated footage and subtitles from Clean Break: Changing Lives and Changing Minds
heart #4 - not torn but turned not static but still
retranslated footage and subtitles from Clean Break: Changing Lives and Changing Minds
heart #5 - not torn but turned not static but still
retranslated footage and subtitles from Clean Break: Changing Lives and Changing Minds
heart #6 - the kitchen
collage > Clean Break premises > retranslated Clean Break archival footage
bombed
photography > retranslated footage from Clean Break production Pests, Royal Exchange Theatre, London > digital collage
cuffed
photography > retranslated footage from Clean Break production Pests, Royal Exchange Theatre, London > digital collage
lockdown
drawing > photography > paper fragments > retranslated content from Working with Incarcerated Women in the Context of Covid seminar > digital collage
cellular, from lockdown series
photography > digital painting > retranslated content from Working with Incarcerated Women in the Context of Covid seminar
discomfort eating
watercolour painting > photography > retranslated content from Working with Incarcerated Women in the Context of Covid seminar
safer behind my door
installation detail > retranslated content from Working with Incarcerated Women in the Context of Covid seminar
early release
painting > screenprint > spray paint > retranslated content from Working with Incarcerated Women in the Context of Covid seminar > digital collage
calm down clam up
drawn fragments > photography > digital collage
transportation
photography > paper fragments > retranslated seminar content > digital collage
asymmetry
photography > paper fragments > retranslated content from Working with Incarcerated Women in the Context of Covid seminar > digital collage
in plain sight, from lockdown series
drawn paper fragments > retranslated content from Working with Incarcerated Women in the Context of Covid seminar > digital collage
"stay at home", from lockdown series
photography
"stay at home" #2, from lockdown series
photography
not-home, from lockdown series
photography > paper fragments > digital collage
wish you weren't here, from lockdown series
wish you weren't here #, from lockdown series
wish you weren't here ##, from lockdown series
dreaming not leaving #3, from lockdown series
photography > retranslated clean break archive material > digital collage
dreaming not leaving #2, from lockdown series
photography > paper fragments > digital collage
flight path, from lockdown series
photography > paper fragments > digital collage
dreaming not leaving, from lockdown series
photography > retranslated clean break archive material > paper fragments > digital collage
like no home place
photography > object > retranslated clean break archive material > film footage
the bones of me, from lockdown series
photography > retranslated content from Working with Incarcerated Women in the Context of Covid seminar
what's she building in there
retranslated photo of Clean Break premises under construction 1998 > retranslated footage of production (BLANK), Donmar Warehouse, London